This album featured symphonic arrangements influenced by ancient chants, classical music, and contemporary artists such as Dead Can Dance, Anchorage, Stoa, and Enya.
In May 1997, Autumn Tears released their follow-up album, Love Poems for Dying Children...Act II: The Garden of Crystalline Dreams.
The uncertainty surrounding their trajectory was addressed in the liner notes of the 2008 re-issue of Love Poems - Act I, where it was clarified that the band hadn't disbanded but was rather taking a hiatus.
Collaborating with talents like Irish harpist Brona McVittie, Tom Moth, John Clark, Terran Olson, and Jennifer Judd, the EP showcased Autumn Tears' dedication to their craft.
Boasting a grand orchestral ensemble comprising over 30 musicians, including some from the previous EP, the album was a testament to the band's enduring creativity.
The album's sonic landscape was enriched by the inclusion of an orchestral classical ensemble alongside an assortment of ethnic instruments such as the kamancheh, bansuri, and duduk.