Ayomi belongs to the third generation of woman artists in her family, and is preceded by her mother, Chizuko, and her grandmother Fujio Yoshida (1887–1987).
She has exhibited also in the College Women’s Association of Japan, the British Museum, the Minneapolis Institute of Arts, and in other venues including international print biennials.
To produce these prints, Ayomi used a scooped chisel to hand-carve identically-sized ovals into the surface of the plywood.
Her final products contained hundreds of ovals organized into straight lines, which covered the entire print area.
Later on, this repetitive process became the basis for creating on-site room installations, which deconstructed traditional woodblock art.
The effect for the viewer was that of walking into a total environment of complementary repetition and vivid sensory stimulation.