Baby Mine is a farce comedy play in three acts by Margaret Mayo that made its Broadway debut at Daly's Theatre on August 23, 1910.
James A. Herne once made partial use of it in "Margaret Fleming," and some critics, including W. D. Howells, put it down as one of the greatest plays ever written, while others declared it insultingly indecent.
Margaret Mayo, with refreshing candor coupled with much common sense and a nice appreciation of "the limit," has dramatized a problem in obstetrics, which is making the walls of Daly's Theatre nightly resound with howls of unlimited merriment.
It was a happy touch on the part of the author to make her central figures a very young married couple, as their ingenuous simplicity made it possible to gloss over situations that otherwise would have appeared somewhat raw.
The idea of a husband devotedly attached to a very frivolous, scatterbrained, wholly irresponsible but fascinating wife, who is an habitual and outrageous liar, and who is also very deeply in love with him, is surely not humorous.
Miss Mayo frankly announces that the notion for the farce came to her from a newspaper clipping which said that there are, in Chicago, three thousand husbands devotedly fondling adopted babies that they imagine are their own.