Some other of Baligh Hamdi's early compositional successes include "Why no", sung by Faydah Kamel, the song "Ma Tehbneesh Be El Shakl Da (Don't love me like that)" performed by Fayza Ahmed, and the song "Tkhounoh ([How do you] Betray [my heart])" by Abdel Halim Hafez.

Baligh Hamdi frequently said that he drew upon musical ideas and aesthetics in Egyptian folk melodies and rhythms in composing his songs.

Presented to singer Warda Al-Jazairia, including the Ghent (Khaleek Hena / Low Salok / Black Eyes / Mali / Dandanah / Ashtrony / Hekaity ma el zaman).

Baligh Hamdi contributed in one way or another the development and revival of the musical theater provided most of the work: Operetta "Egypt Bride," and the operetta "Tmarahnp", "Yassin, I have," also wrote several songs, including: (Love that was - I Bahqk of Mayada Al Henawy), and "Bawadaak" rose to as defined by discovering many of the singers and the singers, especially from Arab countries.

Hamdi eloquent cooperation with Abdel Rahman el-Abnudi and Mohamed Rushdie introduced in the early sixties with all types of Egyptian folklore providing a set number of songs together, including (Adaweya / Baladiat / Wasai Llnoor), also providing to Mohammed Rushdie others (METI Ashofak/Ala el Ramla / Moghram Sabiah/ Tayer Ya-hwa).

[10] On 21 October 2015 US district judge Christina Snyder abruptly dismissed the lawsuit against Jay Z and his producer Timbaland before it went to a jury, ruling that the heir of an Egyptian composer lacked the right to pursue a copyright infringement claim.