[2] In her critical writing, Radice defined the themes and theories of this new aesthetic movement, and would become the group's de facto historian and chronicler.
[3] Radice served as editor of the design and architecture magazine Terrazzo (published from 1988 to 1997) which she began in collaboration with Ettore Sottsass.
The museum claimed that the estate was too controlling and released a statement describing being given "too little scope for interpretations we wished to explore in the presentation."
Radice and the estate's gallery owner Ernest Mourmans turned the blame on the institution, suggesting that the curatorial team was "adversarial", and refused to loan objects for the show.
[7] Barbara Radice was married to fellow Memphis member and designer Ettore Sottsass until his death in 2007.