Barnum (musical)

The characters include jugglers, trapeze artists and clowns, as well as such real-life personalities as Jenny Lind and General Tom Thumb.

Barnum introduces his circus acts as he stands in front of a tent, proclaiming ("There Is a Sucker Born Ev'ry Minute").

Barnum finds two new star attractions, Tom Thumb, who appears to advise that "Bigger Isn't Better", and Jumbo the elephant.

Barnum then becomes manager of the famous Swedish opera singer Jenny Lind ("Love Makes Such Fools of Us All").

Crawford reprised his role opposite Eileen Battye in a UK Tour of the show which ran between 1984 and 1986, stopping off at various venues including the Manchester Opera House and a West End revival at the Victoria Palace Theatre.

Two-time Tony Award-nominee Christopher Fitzgerald starred in Cameron Mackintosh's new production of the show at the Chichester Festival Theatre from 15 July to 31 August 2013.

The national tour of Cameron Mackintosh and Chichester Festival Theatre's production opened at Curve, Leicester in September 2014 and ran until August 2015.

The show received a further London revival at the Menier Chocolate Factory from 5 December 2017, with previews from 25 November to 3 March 2018.

[1] The production starred Marcus Brigstocke in the title role, Laura Pitt-Pulford as Charity, Celinde Schoenmaker as Jenny Lind, Tupele Dorgu as Joice Heath and Harry Francis as Tom Thumb.

A new production will open at the Watermill Theatre, Newbury, Berkshire from 2 July to 8 September 2024, directed by Jonathan O’Boyle and choreographed by Oti Mabuse.

[2] Stacy Keach played Barnum in a June 1981 production at the Kennedy Center with Dee Hoty as Charity and Terri White reprising her Broadway role as Joice Heth.

According to Don Wilmeth, Barnum "was blessed with a brilliant production by director-choreographer Joe Layton, who turned the theatre into a circus, and a memorable performance by Jim Dale.

"[3] Thomas Hischak wrote: "Joe Layton directed and choreographed with inventive and colorful theatrics, and [Jim] Dale endeared himself to audiences by singing, dancing, walking a tightrope, clowning, and riding a unicycle, most of which had nothing to do with anything.