Some of Bartolomeo's children and grandchildren also became well-known musicians in Florence, including his sons Antonio, Lorenzo, and Piero, and his grandson Baccio degli Organi, a Florentine music teacher in the 16th century.
Only fifteen pieces are found in sources of the period: ten secular songs, a lauda, and four instrumental compositions.
The songs are in the characteristic style of the popular music of the period, with simple rhythms, homophonic texture, clear phrasing, and they are in strophic form.
In spite of his close association with Ss Annunziata, only a single sacred composition has survived, the lauda Sguardate il Salvatore, and that is probably an adaptation of a secular song.
Some influence of the Netherlands school is evident in his music: he used the tune of the famous chanson De tous biens plaine by Hayne van Ghizeghem in one of his instrumental pieces, and he also used motivic material by Alexander Agricola (who also worked in Florence in the early 1490s, and was possibly his teacher) in his instrumental music.