Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims.
[5][6][7] Although Bauls constitute only a small fraction of the Bengali population, their influence on the culture of Bengal is considerable.
In 2005, the "Baul tradition of Bangladesh" was included in the list of Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO.
A recent scholarly research suggests that the Bauls may be descendants of a specific branch of Sufism referred to as ba'al.
Dr. Jeanne Openshaw writes that the music of the Bauls appears to have been passed down entirely in oral form until the end of the 19th century, when it was first transcribed by outside observers.
[citation needed] Those who choose family life, live with their spouse, children and relations in a secluded part of a village.
There is a big yearly gathering called Jaydeb Mela, taking place in Januari in Kenduli, near Bolpur, which attract bauls and followers in large numbers.
It is said that Lalon Fakir (1774 -1890), the greatest of all Bauls, continued to compose and sing songs for decades without ever stopping to correct them or put them on paper.
[17][18] A consistent part of Bauls' lyrics deals with body-centered practices that aim at controlling sexual desire.
[19] Besides traditional motifs drawn from the rural everyday life, Baul songs have always been inclined to incorporate change and keep pace with social and economic innovations.
A Baul family played on stage in London for The Rolling Stones' Hyde Park concerts in 1971, '72 and '78 in front of thousands.
An essay based on these was compiled into his English book The Religion of Man: The Bauls are an ancient group of wandering minstrels from Bengal, who believe in simplicity in life and love.
[22] The following is a translation of the famous Baul song by Gagan Harkara: Ami kothai pabo tare, amar moner manush je re.
This feeling that man is not a mere casual visitor at the palace-gate of the world, but the invited guest whose presence is needed to give the royal banquet its sole meaning, is not confined to any particular sect in India.
Other Bengali poets, such as Kazi Nazrul Islam, have also been influenced by Baul music and its message of non-sectarian devotion through love.
They felt that both temple and mosque block the path to truth; the search for God must be carried out individually and independently.
[23] Bauls are found in the country of Bangladesh and the Indian state of West Bengal and the eastern parts of Bihar and Jharkhand.
[24] Palli Baul Samaj Unnayan Sangstha (PBSUS), a Bangladeshi organisation, has been working to uphold and preserve the 'baul' traditions and philosophy since 2000.
In the village of Jaydev Kenduli in Birbhum district of West Bengal, a Mela (fair) is organised in memory of the poet Jayadeva on the occasion of Makar Sankranti in the month of Poush.
In the village of Shantiniketan in West Bengal during Poush Mela, numerous Bauls also come together to enthral people with their music.
[26] There are also the Western Bauls in America and Europe under the spiritual direction of Lee Lozowick, a student of Yogi Ramsuratkumar.
Her music was reviewed by Simon Broughton in Songlines and, in 2019, American Grammy-nominated bluegrass Fiddler Casey Driessen collaborated with her on an album.
Regarded as an icon of Bengali culture, he inspired and influenced many poets, social and religious thinkers including Rabindranath Tagore, Kazi Nazrul Islam, and Allen Ginsberg although he "rejected all distinctions of caste and creed".
Every year on the occasion of his death anniversary, thousands of his disciples and followers assemble at Lalon Akhrah, and pay homage to him through celebration and discussion of his songs and philosophy for three days.
Some of his notable songs include Keno Piriti Baraila Re Bondhu, Murshid Dhono He Kemone Chinibo Tomare, Nao Banailo Banailo Re Kon Mestori, Ashi Bole Gelo Bondhu and Mon Mojale Ore Bawla Gaan.
[33] Dr. Rajendra Prasad, first President of the modern state of India, acknowledged Purna Das as Baul Samrat in 1967.
They are led by Nigar Sultana Sumi, one of the most renowned Baul singers in Bangladesh and West Bengal.