Among the directors working in this genre were Franz Antel (Liebe durch die Hintertür, 1969; Das Love-Hotel in Tirol, 1978), Franz Marischka[1] (Liebesgrüße aus der Lederhose, 1973; Zwei Däninnen in Lederhosen, 1979; Three Lederhosen in St. Tropez, 1980), Franz-Josef Gottlieb (No Sin on the Alpine Pastures, 1974), Alois Brummer (Beim Jodeln juckt die Lederhose, 1974), and Hubert Frank (Jagdrevier der scharfen Gemsen, 1975).
Director Franz Marischka got the idea by a newspaper article in 1972 about wealthy female tourists in Bavaria who tried to seduce local young men or the landlord of the inn where they were staying (and paid them for it).
At the time, Bavarian porn seemed outrageous and shocking to the older generation, who had been instilled with the family values of the National Socialist regime, not to mention traditional German sexual morality.
Their legacy is most evident in the poppy acid-jazz soundtracks used in these films, which became popular among hipsters during the late 1990s, along with the resurgence of space age pop.
Bavarian porn was released in the United States under titles such as Naughty Co-Eds, 2069: A Sex Odyssey, and The Sinful Bed.