Beadwork

[3][4] Faience beads, a type of ceramic created by mixing powdered clays, lime, soda, and silica sand with water until a paste forms, then molding it around a stick or straw and firing until hard, were notably used in ancient Egyptian jewelry from the First Dynasty (beginning in the early Bronze Age) onward.

For example, the Athabaskan peoples of Alaska used tusk shells (scaphopod mollusks), which are naturally hollow, as beads and incorporated them into elaborate jewelry.

[12] In Northern Russia, the Kokoshnik headdress typically includes river pearl netting around the forehead in addition to traditional bead embroidery.

[14] In the late 19th and early 20th century, the beaded flowers were used to create long lasting funeral wreaths, called immortelles (French for "immortals").

[16][17][18][19] Native American beadwork, already established via the use of materials like shells, dendrite, claws, and bone, evolved to incorporate glass beads as Europeans brought them to the Americas beginning in the early 17th century.

[25] Ursuline nuns in the Great Lakes introduced floral patterns to young Indigenous women, who quickly applied them to beadwork.

[31] This style was nearly lost during the Trail of Tears, as many beadworkers died during their forced removal to Indian Territory west of the Mississippi River.

[31] Huichol communities in the Mexican states of Jalisco and Nayarit uniquely attach their beads to objects and surfaces via the use of a resin-beeswax mixture (in lieu of wire or waxed thread).

[32] Huichol beadwork is commonly characterized by bright colors and geometric shapes, and motifs of animals and spirits illustrate their spiritual beliefs.

[34] During the early 19th century, European and Euro-North American observers and travelers frequently noted the intricate beadwork adorning Métis clothing.

Métis artisans employed First Nations beadwork techniques along with floral designs influenced by French-Canadian nuns in Roman Catholic missions.

[35] The practice of beadwork became a vital economic activity for Métis women and families, spanning generations and providing both personal and commercial expression.

Beadwork on the ceremonial dress of a Datooga woman
A string of blue faience beads from north Lisht , a village in the Memphite region of Egypt, c. 1802–1450 B.C.
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique.
Russian Countess Olga Orlova-Davydova wearing a heavily beaded kokoshnik , 1903
Ukrainian pysanka
Examples of contemporary Native American beadwork
An elephant mask decorated with glass beads by the Bamileke people in Bandjoun , Cameroon c. 1910–1930