King-Spooner visits people from around his town, including his mom and his neighbors, and he reminisces on the objects and places of his own life in an autobiographical manner.

Scottish folk tales, morally dubious parables, cloudy anecdotes and more contemporary stories of homelessness and immigration all combine to create a truly dynamic narrative.

[4] King-Spooner created another game a couple of years later, called Dujanah, in which the main character was developed with a determination to be different from Beeswing's.

"[1] Kotaku's Heather Alexandra praised the personal stories that the inhabitants of the town told and the game's nostalgic and familiar feel that pervades throughout the experience.

"[7] Kill Screen's David Chandler had a more mixed review of Beeswing, feeling that the game was as equally frustrating as it was enchanting because of its too on-the-nose exploration of its themes.