Invited by a Ferrarese gentleman, Geronimo Sagrato, to Rome, he worked briefly under Raphael in the decoration of the Stanza della Segnatura.
From Rome family affairs recalled him to Ferrara; there Duke Alfonso I commissioned him to execute paintings, along with the Dossi, in the Delizia di Belriguardo and in other palaces.
[1] He painted extensively in Ferrara, both in oil and in fresco, two of his principal works being the "Massacre of the Innocents" (1519), in the church of S. Francesco, and his masterpiece "Betrayal of Christ" (1524).
Later, the "Knight's Procession" in the Palazzo Colonna in Rome — gave promise of an Italianate Cuyp, less commonplace, more romantic, and more refined than the Dutch artist.
[2] His youthful works include the Boar Hunt in the Palazzo Sciarra and the Virgin in the Clouds with Four Saints (1518) in the Gallerie dell'Accademia in Venice, considered one of his masterpieces.
The Madonna (1532) in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a "bookish" affair, whose episodes are difficult to elucidate.