Their father was often absent for work, and their mother, Mai, assumed a dominant role.
She was well known for her knowledge of Shona myths and stories, and would share them with her sons; these tales had a deep influence in both John and Bernard's careers as sculptors.
Bernard trained as an agricultural advisor to the government after leaving school, but was encouraged by John to try carving stone.
Takawira soon began spending all of his free time at the workshop, where he learned much; in 1977 he left his governmental position to begin sculpting full-time.
Stylistically, Takawira's sculptures show evidence of a great interior struggle between Christianity and Shona culture, a battle which affected the artist for much of his life.