Beth Coleman

Her work has been featured in a variety of venues such as the Whitney Museum of American Art, MoMA PS1, Musée D'art Moderne Paris, and the Waag Society Amsterdam.

Following a trip exploring the burgeoning experimental and electronic music scenes in Berlin in the summer of 1994, Coleman and frequent collaborator Howard Goldkrand returned to New York City, where they formed Soundlab Cultural Alchemy with Paul D. Miller (aka DJ Spooky).

[5] Over the course of her career, Coleman has shifted from primarily using turntable equipment, a staple of illbient music, to focusing more on audio design software such as Logic.

In the book, she explores how the boom of social and mobile media and new technologies in the later half of the 2000s has allowed humanity to filter their experiences into a new digital medium, creating an augmented x-reality.

[8] In 1999, Coleman and Goldkrand created the piece Mobile Stealth Unit (Pink Noise), a mixed-media sculpture consisting of a workman tricycle and a system of audio electronics.