[6] Wieseman is noted for her scholarship and curatorial expertise, having curated numerous international exhibitions in her field, and she has authored many books and articles on Dutch and Flemish seventeenth-century painters.
[11][12] [13] The exhibition included approximately 40 paintings, and drawings and prints, offering new insights into Rembrandt’s techniques and thematic preoccupations during his final years.
[14][15][16] She is known for her ability to transmute complex timelines and historic developments of the seventeenth century, concerning the period's art, to a wide audience through her curatorial work in museums.
[17][18] [19][20][21] Her research often explores the technical and emotional depth of Northern European paintings, bringing new insights to understanding of art produced during the Dutch Golden Age.
[22] Through her curatorial work, Wieseman has contributed extensively to academic publications and exhibition catalogs: