Betty Boop

[a][6][7][8] She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures.

A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as "combin[ing] in appearance the childish with the sophisticated—a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable".

Betty Boop made her first appearance in the cartoon Dizzy Dishes, released on August 9, 1930, the seventh installment in Fleischer's Talkartoon series.

While much credit has been given to Grim Natwick for helping to transform Max Fleischer's creation, her transition into the cute cartoon girl was also in part due to the work of Bernard Wolf, Otto Feuer, Seymour Kneitel, Roland "Doc" Crandall, Willard Bowsky, and James "Shamus" Culhane.

However, the mountain motif remains on some television prints, usually with a UM&M copyright line, while recent versions have circulated with the Paramount-Publix reference in cartoons from 1931.

Her popularity was drawn largely from adult audiences, and the cartoons, while seemingly surreal, contained many sexual and psychological elements, particularly in the 1932 "Talkartoon" Minnie the Moocher (1932), featuring Cab Calloway and his orchestra.

In the cartoon, after a disagreement with her strict parents, Betty runs away from home, accompanied by her boyfriend Bimbo, only to get lost in a haunted cave.

"Minnie the Moocher" served as a promotion for Calloway's subsequent stage appearances and also established Betty Boop as a cartoon star.

Betty Boop wore short dresses, high heels, a garter, and her breasts were highlighted with a low, contoured bodice that showed cleavage.

According to Jill Harness of Mental Floss, these portrayals of Boop fighting off sexual harassment on the animated screen made many see her as a feminist icon.

[22] Betty Boop's best appearances are considered to be in her first three years due to her "Jazz Baby" character and innocent sexuality, which was aimed at adults, but the content of her films was affected by the National Legion of Decency and the Production Code of 1934, which imposed guidelines on the motion-picture industry and placed specific restrictions on the content films could reference with sexual innuendos.

No longer a carefree flapper from the date the code went into effect on July 1, 1934, Betty became a spinster housewife or a career girl who wore a fuller dress or skirt.

This was a similar problem experienced during the same period with Walt Disney's Mickey Mouse, who was becoming eclipsed by the popularity of his co-stars Donald Duck, Goofy, and Pluto.

[27] On February 11, 2016, Deadline announced that a new 26-episode television series focusing on Betty Boop is in production, in partnership with Normaal Animation, Fleischer Studios, and King Features.

The show's premise, according to the article, will "recount the daily struggles, joys, and victories of young Betty Boop, who has every intention of being on stage and becoming a superstar".

[28] While the animated cartoons featuring Betty Boop have enjoyed renewed attention over the last 30 years, official home-video releases have been limited to the VHS and LaserDisc collector's sets in the 1990s.

No such releases for the Betty Boop cartoons on DVD and Blu-ray were made until 2013, when Olive Films, under license from Paramount Home Entertainment, finally released the nonpublic domain cartoons, although they were restored from the original internegatives, these were altered in 1954 by a now defunct TV distributor named UM&M TV Corp. and the altered opening and closing credits appear on these discs.

The Betty Boop comic strip by Bud Counihan (assisted by Fleischer staffer Hal Seeger) was distributed by King Features Syndicate from July 23, 1934, to November 28, 1937.

[30][31] In 1990, First Comics published Betty Boop's Big Break, a 52-page original graphic novel by Joshua Quagmire, Milton Knight, and Leslie Cabarga.

In 2016, Dynamite Entertainment published new Betty Boop comics with 20 pages in the alternative American graphic novel style; four issues were released.

[32] Producers Steven Paul Leiva and Jerry Rees began production on a new Betty Boop feature film for the Zanuck Company and Metro-Goldwyn-Mayer.

Wallace and Wells had completed several songs and 75% of the film had been storyboarded when, two weeks before voice recording was to begin with Bernadette Peters as Betty, the head of MGM, Alan Ladd Jr., was replaced by Frank Mancuso, and the project was abandoned.

[citation needed] On August 14, 2014, Simon Cowell's Syco and Animal Logic announced they were developing a feature-length film based on the character.

Direction and choreography are by Jerry Mitchell, and the musical starred Jasmine Amy Rogers as Betty Boop, with Faith Prince as Valentina, Ainsley Melham as Dwayne, Erich Bergen as Raymond, Stephen DeRosa as Grampy, Angelica Hale as Trisha and Anastacia McCleskey as Carol.

[53] Jazz studies scholar Robert O'Meally stated this evidence, though, "might very well have been cooked up by the Fleischers to discredit Kane, whom they later admitted to have been their model for Betty Boop.

[54] New York Supreme Court Justice Edward J. McGoldrick ruled, "The plaintiff has failed to sustain either cause of action by proof of sufficient probative force".

The 1933 Betty Boop cartoon Snow-White (not to be confused with Snow White and the Seven Dwarfs) was selected for preservation by the U.S. Library of Congress in the National Film Registry in 1994.

Betty Boop appeared with model Daria Werbowy in a commercial for Lancôme's Hypnôse Star Mascara, directed by Joann Sfar.

[86] In March, 2017, Betty appeared with fashion designer Zac Posen in an animated promotional short produced by King Features Syndicate, Fleischer Studios (its subsidiary) and Pantone.

[87] In April 2011, Funny or Die parodied the character in a trailer spoof for a film called Boop, with Rose McGowan as Betty.

A colorful Betty Boop in Poor Cinderella , 1934
Betty Boop in 1932
The transformation from pre-Code to post-Code
Bud Counihan's Betty Boop (October 23, 1934)
Helen Kane and Betty Boop – Photoplay , April 1932
A display of Betty Boop collectibles