With a career that commenced at the young age of 10, Nazareth has amassed a repertoire of stage performances spanning nearly six decades in Mangalorean and Goan Konkani theatre.

[3] Nazareth's early career in the performing arts can be traced back to her childhood experiences in the theater scene of Mazgaon, (now a neighborhood in Mumbai, India).

The annual feast of Saint Anne on 26 July was a particularly important event for the Mazgaon theater community, with several plays and skits staged to commemorate the occasion.

Her acting prowess in plays such as Vhoni ani Dher, Tujem Durigmojea Bhatant, and Mojo Put Padri received acclaim and admiration from the public.

[4] These successful performances not only solidified her position in Konkani theater but also attracted attention from other directors, including AT Lobo, Suny D'Souza, Lawry Andrade, Cha-Fra, Francis Fernandes Cascia, and AC Misquith.

Collaborating with figures such as M. Boyer's Golden Goa album, Rosary Fernandes, Romeo Mendes, Prince Jacob, Chris-Meena, Lawrence Saldhana, Connie M, Julie Rod, and Kenny, Nazareth established herself as a versatile singer.

Nevertheless, in Goa, Nazareth once again found herself in an environment that embraced her multifaceted talents, as the local stage demanded performers to excel in both singing and acting.

This allowed her to secure significant roles and collaborate with some of the popular Konkani directors of the time, including C. Alvares, Prem Kumar, M. Boyer, Joe Rose, Rosary Ferns, Tony Martin, Cristina Vaz, Peter Fernandes, and Mike Mehta, among others.

Nazareth achieved acclaim in Goa through her performances in several influential plays, such as Laz Naslolo Konn, Khoto Poiso, Vaante, Donn Kalzan, and Sezarachi Combi.

Her talent and popularity transcended regional boundaries, leading her and the Goan team to embark on international tours, captivating audiences in destinations such as Dubai, Muscat, Kuwait, Bahrain, Doha, London, Israel, and Canada.

[1] In India, Nazareth has undertaken extensive tours across cities such as Pune, Karwar, Ahmedabad, Delhi, and Kolkata, where she has demonstrated her artistic talents through live performances.

In 2008, she made a significant contribution to the Konkani Niranthari program organized by Mandd Sobhann, which subsequently set a Guinness World Record.

It is worth noting that actresses over 40 are seldom presented with opportunities to portray heroines, making Nazareth fortunate to secure some of the most coveted roles even in the later stages of her career.

Throughout her artistic journey, Nazareth has popularized a diverse repertoire of songs, including "Galfak Vetam," "Nach Goynkara" from Ivor D Cunha's musical show, as well as captivating melodies featured in her debut cassette tape, such as "Bebdo Gabru, "Poppat Bai," and "Mammicho ugdas," among others.

Subsequently, she delivered several acclaimed performances, showcasing her talents in both singing and acting, while working with popular directors such as M. Boyer, Prem Kumar, and Remmie Colaço.

It is worth mentioning that directors often composed special cantos exclusively tailored to her vocal abilities, indicating the high value placed on her singing prowess.

Nazareth' body of work encompasses various tiatrs, including performances in productions like M. Boyer's Ekuch Rosto, Renmie Colaço's Atancho Temp, and C. Alvares' Konnem Lailo Uzo, (where she portrayed a character struggling with drug addiction), Prem Kumar's Jawan, Menino de Bandar's Soglleank Gorjechem (depicting a tale of fortune reversal), and Rosario Rodrigues's theatrical works such as Fulam ani Kolle and Uzvadd Pallovlo.

Nazareth has appeared in theatrical productions directed by several popular Konkani dramatists, including C. Alvares, M. Boyer, Jacinto Vaz, Remmie Colaço, Robin Vaz, Alfred Rose, Rico Rod, Chris Perry, Titta Pretto, Prem Kumar, Mike Mehta, Rosario Rodrigues, Roseferns, Menino De Bandar, Chris Meena, and Samuel Carvalho.

[4] According to writer Wilson Mazarello, "Nazareth is recognized as a versatile and accomplished actress, capable of delivering performances across a wide range of characters."

Nazareth initially faced opposition from her in-laws concerning her involvement in stage performances, but they ultimately relented and supported her pursuit of a career in acting.

[1] To manage childcare, Nazareth relied on the assistance of a maid, and at times, a supportive aunt played a crucial role in providing help.

[6] Nazareth found herself assuming the role of sole caretaker for her two children, Aaron and Warren, following the death of her husband in 2004, However, since the boys had reached adulthood by then, her stage performances remained unaffected by this personal responsibility.

MKKS annually organized a range of cultural events, including tiatrs, musical shows, one-act plays, singing competitions, and a mando festival.

She called upon the residents of Mumbai, urging them to embrace their native language, Konkani, and support the revival of tiatrs-a once deeply rooted art form.