Their feat involved participating in the longest non-stop singing marathon of choral groups, known as Konkani Nirontari, held at the prestigious Kala Angan in Mangalore.

He published a book of Konkani stories designed for young readers, evoking a sense of nostalgia akin to the tales passed down by grandparents.

Additionally, as of 2013, Mazarello was engaged in writing his autobiography, a project that, if had completed within 2014, would have had mark a pioneering endeavor as the first tiatrist to chronicle his own life story.

During this time, Mazarello's primary contact was Fr Avertano Nazareth, a priest associated with Dabul church, who had connections with Frank Fernand, a Konkani music composer known for his work in movies such as Amchem Noxib and Nirmonn.

Nonetheless, he maintained a keen interest in dramas and diligently followed the Konkani weeklies, which served as a platform for advertisements and news related to tiatr, a popular form of Goan musical theater.

The trio's performance garnered resounding applause, prompting one influential musician to express the sentiment that the Konkani stage would benefit from the addition of more such talented individuals.

[4] Despite his lack of personal acquaintances in the singing community, Mazarello persisted in his search and successfully formed a trio comprising Xavier and Michael.

[5] Subsequently, Mazarello's path crossed with that of Prem Kumar, a showman who happened to be searching for a trio to feature in the tiatr production titled Upkar Naslolo.

This marked a turning point in their careers, propelling them to collaborate with other esteemed directors such as C. Alvares, Robin Vaz, Alfred Rose, and A. R. Souza Ferrao.

Notably, when Mazarello unveiled his own drama, Tiatrist, Souza Ferrao had the distinct honor of acting in the production-an experience he described as a tremendous privilege.

With an extensive body of work, he produced 27 audio albums, authored over 40 plays, and composed a myriad of songs for tiatr performances, collaborating with established and emerging tiatrists alike.

Pieces such as 'CID Maim, 'Sousarant Dev Aila, 'Absent Minded Professor,' 'Chint Munxya, 'Moddgonvam Prasar' (in collaboration with Sharon), and 'Pavsacho Dis' have endured the test of time.

Additionally, Mazarello gained recognition for his thought-provoking self-penned tiatrs, including Sukthi- Bhorti (The ebb and the tide) and Durig (Wall).

Out of respect for the group's enduring popularity and the deep connection to the name, Mazarello opted to retain the name, feeling a sense of responsibility to uphold its legacy and ensure its continued recognition.