[1] Village women can often be found in alleyways, chatting while they diligently work through hundreds of strings and buttons in the creation of traditional Djellaba.

[3] Houcein Kaci provides the Berber custom where after a few months of marriage, a bride will leave her husband and return to her ancestral family home for an entire year.

On the seventh day, a final celebration occurs to mark the end of the wedding and the beginning of their daily life as a married couple.

Decorations on the pottery were made with either a very fine tip (in straight lines or diamonds) or pieces of reed/the thumb nail to make crescent shapes (these designs are seen to be reminiscent of Saharan sculptors).

The techniques were very similar to other female potters from the Zerhoun region as the earth was modeled on a stand and cooked in the sun; however, the main differences lay in the design of the pottery.

Overall, Herber found that the design and techniques used in Bhalil, and Morocco more generally, varied across different areas and tribes.

However, there are heavy Berber influences that can be found in the decor of ceramics in North Africa, which are reflected in other artisan styles as well (tattoos, fabric and rug designs of the region).