Bill Vazan RCA (born 1933) is a Canadian artist, known for land art, sculpture, painting and photography.
The pictures are constrained by a self-imposed protocol such as recording every bus stop or street intersection from exactly the same spatial direction without regard to lighting or composition.
[2] Bill Vazan's conceptual and minimalist land art projects of the 1960s and 1970s were often ephemeral, created by chalk lines, arrangements of stones and so on, and now only surviving through photographs, books and videos.
In some of these works, Vazan created quasi-mythical sculptures, including rock engravings that resemble Aztec, Mayan or Celtic art.
[4] Vazan's work can be found in multiple institutions, such as the Musée de Lachine[5] and the National Gallery of Canada.