When Binoy took to writing, the scientific training of systematic observation and enquiry of objects found a place, quite naturally, in his poetry.

During the 1960s, he had joined the Hungry Generation movement for a short time but departed due to differences with its leader, Shakti Chattopadhyay.

ekti ujjwal maachh ekbar ure drishyata sunil, kintu prakrita prastabe swachchha jale punoray dube gelo - ei smita drishya dekhe niye bedonar gaarho rashe aapakka raktim holo fal One bright fish flew once Only to sink again into the visibly blue, but truly Transparent water - watching this pleasing sight The fruit blushed red, ripening in a deep abyss of pain.

Apart from Phire Esho, Chaka, he wrote other books, such as: Nakshatrer Aaloy (In the light of the stars), Eeshwariyo (Godly), Adhikantu (Excessive), Aghraaner Anubhutimala (The emotions of the month of Aghran), Balmikir Kabita (The Poetry of Balmiki).

[6] Binoy has often been regarded by critics as a true successor of Jibanananda Das,[7] the poet who revolutionized Bengali poetry in the post-Tagore era.

Like Jibanananda, Binoy drew his material from bountiful nature, the fields and the jungles and the rivers and the fauna of Bengal.

), where he gives an explicit and graphic description of sexual intercourse, Binoy, once again, lays strong emphasis on the physiology of the process, and takes to a journalistic narration.

Binoy was one of the original participants in the Hungry Generation হাংরি আন্দোলন literary movement spearheaded by Shakti Chattopadhyay, Samir Roychoudhury and Malay Roy Choudhury.

Binoy builds up all his imagery, nuances, lyricism, and poetic discovery on the skeleton of scientific reasoning and factual observations.

Though he knew his predecessor Bankim Chandra, first successful Novelist in Bengali - Binoy's mother tongue, had written Keo Kakhno Eka Thakiona.