[1] In a review for AllMusic, Brian Olewnick stated that, on the album, Brötzmann "leads a remarkable power trio that manages to resuscitate all that was good about fuzz-heavy bands like Blue Cheer... while adding impassioned playing out of Hendrix and allowing himself an expansive space to develop his unique approach."

"[2] Grayson Haver Currin of Pitchfork called the album "beautifully aggressive," and noted "just how much Brötzmann and his band resist easy codification.

They claw and scrape at the divides between rock and jazz, funk and industrial, Hendrix and Haino, songs and chaos, dark and light, a power trio with a mind for breaking binaries.

"[3] A reviewer for Freq commented: "What is apparent is that there is a single-minded vision here that [Brötzmann] was more than capable of developing into an exciting and uncompromising rush of noise.

"[4] Fear and Loathing's Andy Pearson remarked: "hearing this album, it really would be difficult to imagine anyone surpassing these sounds.