Initial writing of the song took place when Kesha, Blanco, Hitch and Foreman were discussing which sex talked more and which one was more "obnoxious."

The lyrics depict a woman who would rather have sex than listen to a man speak and features blatant come-ons throughout the song.

"[1] Andrew Burgess of MusicOMH felt that the line "I don't really care where you live at, just turn around boy, let me hit that.

[4] Fraser McAlpine of BBC noted that it was cultural progress that a woman can now "sing a song[...] as dirty [...] as her male peers".

"[7] Daniel Brockman of The Phoenix thought that Kesha "intone[d] in a lusty, disturbingly carefree tone" on the song.

[10] Andrew Burgess of MusicOMH said that while "3OH!3 makes a lame attempt to assert the case for male equality [on the song], Kesha comes off as so infectiously dominating, it's hard to take [3OH!3] seriously.

"[4] Mayer Nissim of Digital Spy gave the song two out of five stars, stating that it was not as catchy as her debut, slamming the lyrics for being "thick" and adding that she failed to deliver on many lines, calling them "faux-outrageous, faux-feminist trash".

[15] In 2024, the song had received 3× certification by the Recording Industry Association of America for accomplishing sales of 3,000,000 equivalent units in the country.

[19] The song was certified double-platinum by the Australian Recording Industry Association (ARIA) for equivalent sales of 140,000 units.

"At one point," Kesha says "I get to be strapped to this harness and bouncing around everywhere, and it was really cool [...] The whole concept of the video was a bunch of douche-y guys macking on me as usual, and me making them eat their toupees or other various items".

The next scene has Kesha at a bar playing pool near a man, where she duct-tapes him, later pulling down his pants, after describing him as a "tool bag" in a text message.

She loses interest when his toupée falls off his head and she shoves the hairpiece into his mouth, in vein of the previous arcade scene.

[31] Kesha performed for the first time a heavily censored version of the song on the ninth season of American Idol with 3OH!3 on March 17, 2010.

[34] She also performed the song in a set for BBC Radio 1's Big Weekend,[35] as well as Willkommen Bei Mario Barth Live in Germany and So You Think You Can Dance in Australia.