Bobo Ashanti

The community in Bull Bay is very tight knit and a place of refuge for poor people, as it offers free shelter, food, and education.

[6] Marcus Garvey is praised by the Rastafarians for his call for pan-Africanism, which looks to unite Africans all over the world and achieve gender, social, and economic equality.

[11] Despite this, beginning in the mid-1990s, many reggae artists have emerged from the Bobo Ashanti; the most well known among them are Sizzla, Capleton, Anthony B, Lutan Fyah, Turbulence, Ras Shiloh.

For example, Sizzla highlights the dreads worn by Bobo Ashanti in one of his songs with lyrics: "Bun fire pon men weh have locks and still nah go Rastaman Tabernacle... you see dem in the clubs and you see dem in the pubs, and they never ever step beneath the Tabernacle roof", suggesting disconnect with faith but still maintaining culture.

The "sheep flock" here being Bobo Ashanti and other pure Rastafarians and the "wolf" being "fake" Rastas who are still eating animal flesh, and also other meat eaters.

[clarification needed] Wolves are flesh-eating predators, but by contrast, sheep are gentle vegans, living under the protection of their shepherd.

Sizzla often refers to those Rastas who grow locks but have not renounced the eating of animal flesh (as per Numbers Chapter 6), as "wolf under wool".

Artists like Capleton remain true to the Bobo Ashanti spirit and make statements like, "We, a di whole a we deh inna Selassie family, but Jah.

Bobo Ashanti artist Junior Reid expresses these ideas in his music, claiming immigration would ask him questions about where he was at the time of the bombing and people mistaking him for an Arab.