His recent work concentrates on computational fluid dynamics and contemporary data collection, retention and visualization, particularly as they pertain to the future's ecology.
His work has been presented in Argentina, Brazil, China, Germany, Greece, Israel, the Netherlands, Poland, Thailand, New Zealand, and the United States.
Perzyński's early artworks investigated the discourses of public space and utilized photography, performance, interventions, and philosophy of language, culminating in a period during the late 1980s-early 1990s characterized by a series of intricate large-scale installations, shown widely, including at the Mattress Factory in Pittsburgh, PA.[3] From 2004 to 2010 Perzyński created the major full-length video work Fortune Teller.
Commenting on the piece, Dr. Martin Patrick stated: “The video drew inspiration from the artist's own biographical experiences and how they seemed to uncannily intersect with horoscope entries from Vogue magazine.
The resultant video collecting twelve short vignettes, incorporates a wide range of cultural reference points from new physics and technologies to Brion Gysin's Dream Machine.”[4] Writer and art curator Angélica de Moraes writes of the artist's work: "Perzyński reflects on the random decisions that mark our life and the precariousness of what we call destiny.