[4] It attempts to shed light on Botticelli's motivation for drawing his Map of Hell, and, in the process, to reveal the dark, and less well known, side of the Renaissance master who is famous for painting The Birth of Venus and Primavera.

[5] The film attempts to shed light on what motivated Botticelli to draw the Map of Hell, and, in doing so, to reveal the dark, and less well known, side of the Renaissance master who is famous for painting The Birth of Venus and Primavera.

Die Zeit finally concludes, "Anyone who can free himself from such perfectly overworked vision of hell, recognizes Botticelli's painting [for] what it still is: infernal[ly] good.

"[5] Spielfilm.de comments that the film will be interesting to "[a]lmost anyone who has a passion for exciting thriller costumes or unsolved secrets (the history of art and culture)".

The review also mentions that the film employs a first-person narration technique, when referring to Botticelli, that makes the viewer feel close to the artist.

"Only by traveling through hell and purgatory we can reach paradise and emerge to see the stars again" Do not miss this unique event, specially created for cinema.