[2] One of the final Bark Psychosis performances, at the 1994 Phoenix Festival was Sutton and fellow band member Daniel Gish playing drum and bass.
Sutton stated that he felt invigorated by the drum and bass scene after the grueling and insular band experience of Hex.
[1] Melody Maker called it "the sonic equivalent of an alert, shrewd, quick, sensitive mind".
[5] Spin praised the album in an overview of the Astralwerks label, picking it as one of the label's twenty key releases, and stating it "took drum 'n' bass to evil new extremes, wrapping pulverized breakbeats in dank, industrial drones and employing bowel-stirring bass lines to unmistakably dystopian effect.
"[4] Contracted to Parlophone for a new Boymerang album, Sutton instead made the second Bark Psychosis record, Codename: Dustsucker.