Empire of Brazil

Unlike most of the neighboring Hispanic American republics, Brazil had political stability, vibrant economic growth, constitutionally guaranteed freedom of speech, and respect for civil rights of its subjects, albeit with legal restrictions on women and slaves, the latter regarded as property and not citizens.

The power vacuum resulting from the absence of a ruling monarch as the ultimate arbiter in political disputes led to regional civil wars between local factions.

Having inherited an empire on the verge of disintegration, Pedro II, once he was legally declared of age, managed to bring peace and stability to the country, which eventually became an emerging international power.

Even though the last four decades of Pedro II's reign were marked by continuous internal peace and economic prosperity, he had no desire to see the monarchy survive beyond his lifetime and made no effort to maintain support for the institution.

[17] Unable to deal with the problems in both Brazil and Portugal simultaneously, the Emperor abdicated on behalf of his son, Pedro II, on 7 April 1831 and immediately sailed for Europe to restore his daughter to her throne.

With no precedent to follow, the Empire was faced with the prospect of a period of more than twelve years without a strong executive, as, under the constitution, Pedro II would not attain his majority and begin exercising authority as Emperor until 2 December 1843.

Believing that granting provincial and local governments greater autonomy would quell the growing dissent, the General Assembly passed a constitutional amendment in 1834, called the Ato Adicional (Additional Act).

[37] While Brazil grappled with this problem, the Praieira revolt, a conflict between local political factions within Pernambuco province (and one in which liberal and courtier supporters were involved), erupted on 6 November 1848, but was suppressed by March 1849.

"[57] This period of calm came to an end in 1863, when the British consul in Rio de Janeiro nearly sparked a war by issuing an abusive ultimatum to Brazil in response to two minor incidents (see Christie Question).

[74] Nonetheless, the "ministry formed by the viscount of Itaboraí was a far abler body than the cabinet it replaced"[73] and the conflict with Paraguay ended in March 1870 with total victory for Brazil and its allies.

[81] In March 1871, Pedro II named the conservative José Paranhos, Viscount of Rio Branco as the head of a cabinet whose main goal was to pass a law to immediately free all children born to female slaves.

The law "split the conservatives down the middle, one party faction backed the reforms of the Rio Branco cabinet, while the second—known as the escravocratas (English: slavocrats)—were unrelenting in their opposition", forming a new generation of ultraconservatives.

[86] By contrast, this new generation of ultraconservatives had not experienced the Regency and early years of Pedro II's reign, when external and internal dangers had threatened the Empire's very existence; they had only known prosperity, peace and a stable administration.

[90] His increasing "indifference towards the fate of the regime"[91] and his inaction to protect the imperial system once it came under threat have led historians to attribute the "prime, perhaps sole, responsibility" for the dissolution of the monarchy to the Emperor himself.

[93] Even though the Constitution allowed female succession to the throne, Brazil was still a very traditional, male-dominated society, and the prevailing view was that only a male monarch would be capable as head of state.

[95] A weary emperor who no longer cared for the throne, an heir who had no desire to assume the crown, an increasingly discontented ruling class who were dismissive of the Imperial role in national affairs: all these factors presaged the monarchy's impending doom.

While Pedro II was receiving medical treatment in Europe, the parliament passed, and Princess Isabel signed on 13 May 1888, the Golden Law, which completely abolished slavery in Brazil.

[166] The Army, despite its highly experienced and battle-hardened officer corps, was plagued during peacetime by units which were badly paid, inadequately equipped, poorly trained and thinly spread across the vast Empire.

In 1884, Brazil was called upon to arbitrate between Chile and several other nations (namely France, Italy, Britain, Germany, Belgium, Austria-Hungary and Switzerland) over damages arising from the War of the Pacific.

American historian Steven C. Topik said that Pedro II's "quest for a trade treaty with the United States was part of a grander strategy to increase national sovereignty and autonomy."

Unlike the circumstances of the previous pact, the Empire was in a strong position to insist on favorable trade terms, as negotiations occurred during a time of Brazilian domestic prosperity and international prestige.

[207] The "countryside echoed with the clang of iron track being laid as railroads were constructed at the most furious pace of the 19th century; indeed, building in 1880s was the second greatest in absolute terms in Brazil's entire history.

[211] In addition to the foregoing improvements to infrastructure, it was also the first South American nation to adopt public electric lighting (in 1883)[212] and the second in the Americas (behind the United States) to establish a transatlantic telegraphic line connecting it directly to Europe in 1874.

The majority of the population of Rio de Janeiro, Minas Gerais, Espírito Santo, Bahia, Sergipe, Alagoas, and Pernambuco provinces (the last four having the smallest percentages of whites in the whole country—less than 30% in each) were black or brown.

[257] In the 1830s, due to the instability of the Regency, European immigration ground to a halt, only recovering after Pedro II took the reins of government and the country entered a period of peace and prosperity.

[298] As Catholicism was the official religion, the emperor exercised a great deal of control over Church affairs[298] and paid clerical stipends, appointed parish priests, nominated bishops, ratified papal bulls and supervised seminaries.

[314] It was only following Pedro II's majority in 1840, however, that the academy became a powerhouse, part of the Emperor's greater scheme of fomenting a national culture and consequently uniting all Brazilians in a common sense of nationhood.

[317] That sponsorship would pave the way not only for the careers of artists, but also for those engaged in other fields, including historians such as Francisco Adolfo de Varnhagen[318] and musicians such as the operatic composer Antônio Carlos Gomes.

[325] During the 1830s and 1840s, "a network of newspapers, journals, book publishers and printing houses emerged which together with the opening of theaters in the major towns brought into being what could be termed, but for the narrowness of its scope, a national culture".

[333] Less prestigious, but more popular with the working classes were puppeteers and magicians, as well as the circus, with its travelling companies of performers, including acrobats, trained animals, illusionists, and other stunt-oriented artists.

A map showing the Empire and its provinces
The Empire of Brazil. The Neutral Municipality is Rio de Janeiro, the imperial capital within the province of the same name
Photograph showing the Imperial Palace in Rio de Janeiro with carriages and mounted honor guard in the square fronting the palace
The City Palace , seat of the Brazilian Imperial government, in 1840
Photograph of various residential and commercial buildings along a waterfront
Recife , capital of Pernambuco (Brazilian northeast ), two years after the end of the Praieira revolt
An old photograph showing a shiny black locomotive having a cab with open sides and a large, funnel-shaped smokestack
A locomotive in Bahia province (Brazilian northeast), c. 1859
An old photograph showing piles of construction materials and equipment along the bank of a river with large white buildings lining the opposite bank
A construction site in the docks of Recife, 1862
An old photograph showing a group of field artillery pieces and caissons with a line of soldiers in the background
Brazilian artillery in position during the Paraguayan War , 1866
An old photograph showing a procession passing between lines of soldiers with tents in the background
Brazilian soldiers kneeling before a religious procession during the Paraguayan War, 1868
Photograph showing a group of people dressed in white, who have gathered in front of a tile-roofed farm building and observe another large group which has formed a large circle surrounding five men straddling large drums, a woman and two other men
Slaves on a farm in the province of Minas Gerais , 1876
A map showing the Empire and its provinces
The Empire of Brazil, c. 1889. Cisplatina had been lost since 1828 and two new provinces had been created since then ( Amazonas and Paraná )
An old photograph showing a crowded square in front of a large, white, multi-storied building
A few moments after signing the Golden Law , Princess Isabel is greeted from the central balcony of the City Palace by a huge crowd below in the street
A photograph showing a large number of men seated on semi-circular tiers in a vaulted chamber as a large crowd looks on from an arcaded balcony
The Brazilian Senate voting on the Golden Law in 1888 as spectators watch from the gallery
An illustration depicting the large head and shoulders of a bearded man superimposed over a large number of smaller male portrait busts
Emperor Pedro II surrounded by prominent politicians and national figures c. 1875
An old photograph depicting a group of poorly clad people in fronto of a small hut constructed of small tree branches
A very poor family of caboclos in Ceará province (Brazilian northeast), 1880. In practice, any employed male citizen could qualify to vote, so most electors had low incomes
An old photograph showing a crowd of people in the foreground with a steel bridge spanning a river in the background
White Brazilians and afro-descendants gathered in the Rio de Janeiro province (Brazilian southeast), c. 1888. Brazil's 19th-century elections were very democratic for the time, but were plagued by fraud
A photograph depicting a group of five uniformed men posed between a pyramid of artillery shells on the left and a wheeled field artillery piece on the right
Brazilian Army officers, 1886
A photograph showing a steamship in port, fully dressed with flags and a single visible gun turret towards the bow
The Brazilian ironclad warship Riachuelo , 1885
A photograph with two steamships resting in a dewatered drydock with a building housing the engine for operating the lock's gates in the background
Shipyard in Rio de Janeiro city, c. 1862
By 1889, most of Brazil's borders had been established by international treaties, with a few contested areas [ A ]
A photograph showing the interior of a large factory building with lighting provided by overhead skylights, underneath which is suspended a line shaft providing power via pulley belts to various machines on the factory floor, some of which dwarf workers standing by their stations
A Brazilian factory, 1880
A photograph showing workers spreading or gathering coffee beans drying on a large paved plaza with an elegant, two-story neoclassical building on the left and warehouses and other plantation buildings in the background
A coffee farm in São Paulo province, 1880
A map of Brazil with regions highlighted using various colors
This map shows where ethnic groups predominated within Brazil: purple— caboclos ; brown— whites ; green— mulattoes ; white—sparsely populated. Note : over 80% of the population lived along the coastline [ 239 ]
A montage of old photographic portraits of eighteen individual people arranged in three rows
19th-century Brazilians. 1st row: White Brazilians . 2nd row: Brown Brazilians (left to right: two female mulattoes , two female cafuzos and a caboclo girl and man). 3rd row: three Brazilian Indians of different tribes followed by Afro-Brazilians of distinct ethnic background
Photograph showing a crowd of people gathered around and on the steps of a white stuccoed house with a hip roof covered in wood shingles situated on a steep slope of a forested hill
German and Luxembourger immigrants in Santa Leopoldina colony in Espírito Santo province (southeast region), 1875
a man and three women seated around a table with two servants standing in the background
A Brazilian family and its female house slaves, c. 1860
a large group of men, women and children holding agricultural implements and standing in front of a long, low building with hills rising in the background
Slaves and their free children on a coffee farm in Brazil, c. 1885
Looking down upon an assembly in a large, vaulted cathedral with a figure sitting on a large, canopied throne to the left of an altar
A state ceremony in the Old Cathedral of Rio de Janeiro ; the attendees are wearing court dress
A photograph showing 3 standing men wearing religious habits
Brazilian friars c. 1875
Painting depicting an interior with a nude female model sitting at a spinet piano while an artist works at his easel on the left side of the canvas
O descanso do modelo (The model's rest), by Almeida Júnior , 1882
A landscape painting depicting houses nestled among trees in the middle-distance, and a large hill topped by a rock spire in the far distance
Morro da Viúva (Widow's mount), by França Júnior , c. 1888
An old photograph depicting two dark-haired men seated in the foreground and a white-haired man standing behind
A photograph dating from c. 1858 , showing three major Brazilian Romantic writers. From left to right: Gonçalves Dias , Manuel de Araújo Porto Alegre and Gonçalves de Magalhães