Brazilian thrash metal

This genre is both raw and intense, drawing in global audiences and holding a legacy that inspires bands outside of the country.

In a country experiencing political and social hardships, Brazilian metal became a way to express frustrations of young individuals longing for change in the system.

This style of thrash metal includes fast-paced rhythms and vocals that encapsulate the feelings of Brazil's people.

Sepultura and Overdose (from Belo Horizonte), are credited to be the first and most important acts that mixed thrash with tribal sounds.

Vocalist, Max Cavalera's Soulfly released an album that is combines "old-school" thrash with a blend of new and old styles.

There were three regions where the Brazilian thrash metal originated (Belo Horizonte, São Paulo and Rio de Janeiro).

[8][9] The first prominent band of the scene were Overdose, a traditional heavy metal act that became increasingly progressive and more aggressive over time.

Sepultura members used to borrow equipment from them, and were invited to take the B-side of Overdose's debut record, which became the Século XX/Bestial Devastation split.

[10] Jairo "Tormentor" Guedz, the original guitarist of Sepultura, joined Overdose for a short period as a bass player.

São Paulo is known for its unique variety of venues, in which metalheads come together to appreciate the blend of thrash, death, and punk metal.

Genres like hip hop and funk have grown to be more popular in this city due to the socioeconomic complexities, such as poverty.

[12] This event was a main contributor to the national spread of metal outside Rio de Janeiro and São Paulo.

[10] Moving forward in Rio de Janeiro's contributions to the metal community, Sepultura's album, Beneath the Remains, was written in full in only nine nights.

[4] Critics argue that these factors challenge Brazil's traditionally conservative social norms, which are influenced by religious and political ideologies.

Despite this, Brazilian metal serves as a platform for expressing resistance and emotion, confronting the country's historical trauma.

[15] The band's name is a tribute to the Black Panther Party, which was a civil rights group in the United States that's mission was to combat racism in the Americas.

The global reach of metal bands in Brazil demonstrates the power that music has on international borders, resonating with audiences facing similar struggles worldwide.

Cover of Ultimatum Split by Dorsal Atlântica and Metalmorphose, 1984
Cover of Mental Slavery by MX from São Paulo, 1990
Stage at Rock in Rio festival in Rio de Janeiro
Sepultura on stage (2018)