Brockes Passion

The Brockes Passion, or Der für die Sünde der Welt gemarterte und sterbende Jesus (title in English: The Story of Jesus, Suffering and Dying for the Sins of the World),[1] is a German oratorio libretto by Barthold Heinrich Brockes, first published in 1712 and going through 30 or so editions in the next 15 years.

[2] In Brockes' version of a passion, a tenor Evangelist narrates, in recitative passages, events from all four Gospels' accounts of Jesus' suffering and death.

[2] Some of the arias are for the persons of the Passion, Jesus himself, Peter, etc., but Mary the mother of Jesus, who does not speak in the Gospel accounts of the Passion, also has a singing part, and fictitious "characters", The Daughter of Zion, four solo Believing Souls, and A Chorus of Believing Souls, also observe and comment.

[3] It is a lengthy and contemplative work for vocal soloists, choir and instrumental ensemble with some passages of great beauty, such as the duet for Mary and her son.

The few choruses, perhaps surprisingly in view of Handel's later large scale choral works, are short and perfunctory in comparison with the arias, some of which are in an operatic style, others with simple accompaniment of solo oboe or obbligato violin.

[4] The Handel scholar Donald Burrows called this Brockes Passion "an entirely worthy contribution to the repertory of its genre.