[8] Due to his father's early death, Hogarth began work at age 15, when he became the assistant at the Associated Editors Syndicate and illustrated a series called Famous Churches of the World.

With Tarzan, Hogarth brought together classicism, expressionism and narrative into a new form of dynamic, sequential art: the newspaper comic strip.

Over the years, he was an instructor of drawing to a variety of students at a number of institutions, and by 1944 Hogarth had in mind a school for returning World War II veterans.

[9] After more than 20 years away from strip work Hogarth returned to sequential art in 1972 with Tarzan of the Apes, a large-format hardbound graphic narrative published by Watson Guptill in 11 languages.

He followed with Jungle Tales of Tarzan (1976), integrating previously unattempted techniques such as hidden, covert, and negative space imagery with inspired color themes into a harmonious visual description, a pinnacle of narrative art.

These texts, in addition to Hogarth's strip work, exert a pervasive and ongoing influence within the global arts community and among delighted readers everywhere.

[8][9] His energetic speeches were known for addressing any topic that was thrown at him with a lengthy string of ideas that could cover the French Revolution and amusement parks by way of Postmodernism and graffiti art, meandering through economics and globalization, only to return to an enlightened answer to the original question.

From the article: "Storaro's surrealistic treatment of the jungle scenes was partially inspired by the art of Burne Hogarth, whose bold use of color brought the Tarzan comic strip to vivid life during the late 1930s.