[5][6] Burnt Hair records was "unquestionably the label most responsible for cultivating Detroit's sound" of space rock, one of the most exciting regional scenes to emerge in the latter half of the 1990s.
[9] Mahogany's Andrew Prinz produced and designed the sleeve for Auburn Lull's debut album Alone I Admire, which was released on Burnt Hair and reissued by California by Darla Records in 2002.
"[14] The group offered the underground music press an alternative to grunge in the early '90s, and "Attention was briefly diverted by the discovery of a small, but flourishing Michigan-based space-rock scene... including ethereal-minded bands from the Detroit area (that) flooded the market with singles and 45s, all attempting to get a piece of the psychedelic rock pie.
"[14] On Asha Vida's 1998 Burnt Hair records release, Nature's Clumsy Hand, the trio abandoned traditional song structure and created "a sonic feast of live improvs and art-noise bliss".
The genre saw a revival in the 1990s including regional music scenes and grass roots interest that developed into small independent record labels in various countries.
[20] Fans of the bands recorded by Burnt Hair refer to the music as dreampop, indie pop, drone, ethereal, avant garde, alternative and ambience layered over electronic percussion.