Bushranger

The original use of the term dates back to the early years of the British colonisation of Australia, and applied to transported convicts who had escaped into the bush to hide from the authorities.

These "Wild Colonial Boys", mostly Australian-born sons of convicts, were roughly analogous to British highwaymen and outlaws of the American Old West, and their crimes included robbing small-town banks, bailing up coach services and raiding stations (pastoral estates).

However, in stark contrast to romantic portrayals in the arts and popular culture, bushrangers often led lives that were "nasty, brutish and short", with some earning notoriety for their cruelty and bloodthirst.

The first notable bushranger, African convict John Caesar, robbed settlers for food, and had a brief, tempestuous alliance with Aboriginal resistance fighters during Pemulwuy's War.

While other bushrangers would go on to fight alongside Indigenous Australians in frontier conflicts with the colonial authorities, the Government tried to bring an end to any such collaboration by rewarding Aborigines for returning convicts to custody.

Colonel Godfrey Mundy described convict bushrangers as "desperate, hopeless, fearless; rendered so, perhaps, by the tyranny of a gaoler, of an overseer, or of a master to whom he has been assigned."

Edward Smith Hall, editor of early Sydney newspaper The Monitor, agreed that the convict system was a breeding-ground for bushrangers due to its savagery, with starvation and acts of torture being rampant.

was the cry of convict bushrangers, and in large numbers they roamed beyond Sydney, some hoping to reach China, which was commonly believed to be connected by an overland route.

[3] The island's most powerful bushranger, the self-styled "Lieutenant Governor of the Woods", Michael Howe, led a gang of up to one hundred members "in what amounted to a civil war" with the colonial government.

[6] His control over large swathes of the island prompted elite squatters from Hobart and Launceston to collude with him, and for six months in 1815, Lieutenant-Governor Thomas Davey, fearing a convict uprising, declared martial law in an effort to suppress Howe's influence.

[6] Vandemonian bushranging peaked in the 1820s with hundreds of bolters at large, among the most notorious being Matthew Brady's gang, cannibal serial killers Alexander Pearce and Thomas Jeffrey, and tracker-turned-resistance leader Musquito.

In 1843, he escaped Port Arthur, and took up bushranging in Tasmania's mountains, but was recaptured and sent to Norfolk Island, where, as leader of the 1846 Cooking Pot Uprising, he murdered three constables, and was hanged along with sixteen of his men.

[5] Bushranging numbers also flourished in New South Wales with the rise of the colonial-born sons of poor ex-convicts who were drawn to a more glamorous life than mining or farming.

Captain Thunderbolt (alias of Frederick Ward) robbed inns and mail-coaches across northern New South Wales for six and a half years, one of the longest careers of any bushranger.

Imprisoned in Ballarat for an armed bank robbery on the Victorian goldfields, he escaped, but was soon recaptured and received a ten-year sentence in HM Prison Pentridge.

After murdering three policemen in a shootout in 1878, the gang was outlawed, and after raiding towns and robbing banks into 1879, earned the distinction of having the largest reward ever placed on the heads of bushrangers.

[12] The Governor brothers proceeded to engage in a crime spree across northern New South Wales, murdering an additional four people and triggering one of the largest manhunts in Australian history.

In Australian history and iconography bushrangers are held in some esteem in some quarters due to the harshness and anti-Catholicism of the colonial authorities whom they embarrassed, and the romanticism of the lawlessness they represented.

The impact of bushrangers upon the areas in which they roamed is evidenced in the names of many geographical features in Australia, including Brady's Lookout, Moondyne Cave, the township of Codrington, Mount Tennent, Thunderbolts Way and Ward's Mistake.

First serialised in The Sydney Mail in 1882–83, Rolf Boldrewood's bushranging novel Robbery Under Arms is considered a classic of Australian colonial literature.

Tom Roberts, one of the leading figures of the Heidelberg School (also known as Australian Impressionism), depicted bushrangers in some of his history paintings, including In a corner on the Macintyre (1894) and Bailed Up (1895), both set in Inverell, the area where Captain Thunderbolt was once active.

Entering the first "golden age" of Australian cinema (1910–12), director John Gavin released two fictionalised accounts of real-life bushrangers: Moonlite (1910) and Thunderbolt (1910).

More recent bushranger films include Ned Kelly (2003), starring Heath Ledger, The Proposition (2005), written by Nick Cave, The Outlaw Michael Howe (2013), and The Legend of Ben Hall (2016).

William Strutt 's Bushrangers on the St Kilda Road , painted in 1887, depicts what Strutt described as "one of the most daring robberies attempted in Victoria " in 1852. [ 1 ]
A bushranger on horseback being chased by the police in Hard-pressed (Flight of a Bushranger) , painted by S. T. Gill , c. 1853
Convict artist Joseph Lycett 's 1825 painting of the Nepean River shows a gang of bushrangers with guns.
Vandemonian bushrangers plundering and burning a homestead
Bushrangers attack mounted policemen guarding a gold escort
Ben Hall ambushed and shot dead by eight troopers, 1865
An 1870 cartoon shows a personification of New South Wales slaying "the last of the bushrangers"
Watched by hundreds of onlookers in the surrounding hills, troopers and Captain Moonlite 's gang engage in a gunfight in 1879.
A posse of mounted troopers, native police and volunteers searching for the Governor gang, 1900
The body of Joe Byrne , strung up as a curiosity in Benalla, 1880. Photograph by John William Lindt .
A statue of Captain Thunderbolt, Uralla, New South Wales
Actor playing Ned Kelly in The Story of the Kelly Gang (1906), the world's first feature-length narrative film