Ring of Pietroassa

The inscribed ring remains the subject of considerable academic interest, and a number of theories regarding its origin, the reason for its burial and its date have been proposed.

When first uncovered, the objects were found stuck together by an unidentifiable black mass, leading to the assumption that the hoard might have been covered in some kind of organic material (e.g. cloth or leather) prior to being interred.

Fortunately, detailed drawings, a cast, and a photograph made by London's Arundel Society of the ring before it was damaged survive, and the nature of the lost character can be established with relative certainty.

Taylor (1879), in one of the earliest works discussing the find, speculates that the objects could represent a part of the plunder acquired by Goths in the raids made on the Roman provinces of Moesia and Thrace (238 - 251).

[3] Another early theory, probably first proposed by Odobescu (1889) and picked up again by Giurascu (1976), identifies Athanaric, pagan king of the Gothic Thervingi, as the likely owner of the hoard, presumably acquired through the conflict with the Roman Emperor Valens in 369.

[5] Recent mineralogical studies performed on the objects indicate at least three geographically disparate origins for the gold ore itself: the Southern Ural Mountains, Nubia (Sudan), and Persia.

[8] A comparison of mineralogical composition, smelting and forging techniques, and earlier typological analysis indicates that the gold used to make the inscribed ring, classified as Celto-Germanic, is neither as pure as that of the Graeco-Roman, nor as alloyed as that found in the Polychrome Germanic objects.

[13] Those in favour of viewing the objects as the personal hoard of Athanaric suggest that the gold was buried in an attempt to hide it from the Huns, who had defeated the Gothic Greuthungi north of the Black Sea and began moving down into Thervingian Dacia around 375.

[18] Düwel (2001), commenting upon the same reading, suggests interpreting ᛟ as indicative of ō[þal] thus: This, following Krause (1966), translates as "sacred (and) inviolable inheritance of the Goths".

[22] Though Düwel (2001) has expressed doubts regarding the meaning of such a statement, Nordgren (2004) supports Reichert's reading, viewing the ring as connected to a sacral king in his role of ensuring an abundant harvest (represented by ᛃ jera).

The ring of Pietroassa (drawing by Henri Trenk , 1875).
A poster depicting the Pietroassa treasure , of which the inscribed ring is a part.
Wielbark Culture , early 3rd century.
Chernyakhov culture , early 4th century.
Rendition of the runic inscription from the ring of Pietroassa.