A great number of ethnic instruments are used in addition to the usual violin parts played by member Jonathan Segel; the album also features pedal steel, banjo, tablas and sitar.

While the album features the band's trademark absurdist lyrics by leader David Lowery and Segel, with CVB staples like affectionate parodies of counterculture and references to drugs and alien abduction, it also features some satirical political lyrics and social commentary on tracks like "Good Guys and Bad Guys", "Joe Stalin's Cadillac" and "We Love You"'.

The songs cover a bewildering range of musical styles: garage punk on "Shut Us Down"', acid-rock jamming on the Pink Floyd cover "Interstellar Overdrive", bluegrass jamming on "Hoe Yourself Down", folk-ska on "Good Guys and Bad Guys", gentle tabla beats on "Une Fois" and "Folly", psychedelic pop on "We Saw Jerry's Daughter", ominous desert-rock spoken word on "Peace and Love" and grinding raga-rock on "Stairway to Heavan" (sic).

There are a number of classic rock references too: "We Saw Jerry's Daughter" is a parody of Deadheads; "Stairway to Heavan", "Five Sticks" and "Joe Stalin's Cadillac" all contain song titles or lyrics modified from Led Zeppelin; and the cover of "Interstellar Overdrive" and several of the album's songs are reminiscent of Syd Barrett-era Pink Floyd.

The classic-rock influences are a contrast from their first two albums, which contained covers of other contemporary underground bands like Sonic Youth and Black Flag.