Graham Fowell, ex-chairman of the Cartoonists' Club of Great Britain, has compared his work to that of Banksy, the English-based graffiti artist.

He is a weekly cartoonist for The Globe Post[8] and some of his cartoons have been featured in magazines such as the Brazilian edition of Mad, Le Monde Diplomatique and the Mondoweiss website.

[11] Additionally, Latuff also contributes to several Middle Eastern newspapers, including Alquds Alarabi, Huna Sotak and the Islamophobia Research and Documentation Project – IRDP.

[13][better source needed] Latuff has produced numerous cartoons related to the Israeli–Palestinian conflict, which assumed significance for the cartoonist after a visit to the region in the late 1990s.

[22][citation needed] Eddy Portnoy, in The Forward, reviewing the book in 2008, wrote that Latuff's material is "often terribly obnoxious... but it is a stretch to categorize his cartoons as antisemitic.

My focus is Israel as a political entity, as a government, their armed forces being a satellite of U.S. interests in the Middle East, and especially Israeli policies toward the Palestinians.

He instanced the fact that a Holocaust survivor like Tommy Lapid reacted to the image of a Palestinian woman foraging in the rubble by thinking of his grandmother who was murdered in Auschwitz.

The use of cartoons insulting Muslims by depicting Muhammad as a bomber is defended as "freedom of speech", while using the Holocaust in drawings is deplored as "hatred against the Jews".

[4] Latuff was included in Simon Wiesenthal Center's 2012 Top Ten Anti-Israel/Anti-Semitic Slurs list being placed third[10][23] for depicting Israeli premier Benjamin Netanyahu squeezing votes out of a dead Arab child.