Zerpa also trained in design, photography and printmaking, paintings, drawings, sculptures, performances and installations, He exhibited internationally and won many awards.
Carlos Zerpa trained in Italy, Germany, and United States; he blended kitsch with references to Giotto, van Gogh, Picasso, and Duchamp.
Carlos Zerpa and Miguel von Dangel chose as their referent the period of the discovery of the new world and just prior, through a mythology of its human and animal inhabitants primarily located in the Caribbean and the area now occupied by Venezuela.
Zerpa after Christopher Columbus encountering "new tribes, strange animals and lush forests" Carlos capitalized these myths as well as on his grasp of Western art history, from which he appropriated liberally.
Zerpa deliberately created a secondhand visual account of an already distorted Eurocentric one by borrowing from de Bry; he perpetuated the farce by enhancing/ modifying a modern-day mythology for the new world.
In one of his typical anachronisms, Zerpa includes a barely detectable chair in the sky above the figure, appropriated from van Gogh's painting of his bedroom in Arles.