Carnegie Collection of British Music

On the panel at various times were Hugh Allen, Granville Bantock, Arnold Bax, Dan Godfrey, Henry Hadow and Donald Tovey.

[1][2] Up to six works per year were chosen for an award – publication at the expense of the Trust, in conjunction with music publishers Stainer & Bell.

30 were out by the end of 1922,[4] and when the scheme finally closed in 1928 some 60 substantial works that might not otherwise have seen the light of day had been issued under the Carnegie Collection of British Music imprint.

Some, such as Vaughan Williams' London Symphony and Rutland Boughton's opera The Immortal Hour were already long established pieces.

[11] Edgar Bainton Granville Bantock Herbert Bedford Arthur Benjamin Arthur Bliss Rutland Boughton York Bowen Ina Boyle Sam Hartley Braithwaite Frank Bridge Alan Bush Lawrence Collingwood Learmont Drysdale Thomas Dunhill George Dyson David Evans Harry Farjeon Ernest Farrar Gerald Finzi Nicholas Gatty Cecil Armstrong Gibbs Ivor Gurney W H Harris Edward Norman Hay Victor Hely-Hutchinson Gustav Holst Herbert Howells John Blackwood McEwen Jeffrey Mark Percy Hilder Miles Robin Milford Edward Mitchell R O Morris Cyril Rootham Alec Rowley Cyril Scott Charles Villiers Stanford Ralph Vaughan Williams Alfred M Wall William Walton Peter Warlock Felix Harold White W G Whittaker Stanley Wilson Leslie Woodgate

The song cycle Ludlow and Teme by Ivor Gurney setting A.E. Housman , published in 1919
Among the Northumbrian Hills , by W G Whittaker, published in 1922