In a 1928 article for the New York Times, she lamented that the automobile had mostly replaced the blacksmith, whose work consisted "chiefly of designing and reproducing wrought iron door hinges, candelabra of the twelfth century, lamps and smoking accessories and other objects which once upon a time were utilitarian.

An ironworker finds it comparatively simple to be artistic after the early American manner by studying the art magazines.

One of her most memorable articles was "King Bites Dog," in which she advanced the theory that the abdication of Edward VIII was due to conservative objections to his "political color" rather than to his romance with Mrs. Wallis Simpson.

At the Gare d'Orsay the deluxe afternoon train had departed with a tin-whistle toot but no sign of royalty or a Baltimore woman.

Ric, my fox terrier, who was a much better disguise to press-shy celebrities than a pair of false whiskers and who was responsible for two beats I had scored, pulled at his leash, scampering toward the deuxième classe train.

On the train must be valets, his aide-decamp, then Major [General John] Aird [the Prince's Equerry], and Scotland Yard detectives.

[8] When the Paris paper, the Tribune, died in 1934, a victim of the Depression, Weld, under the headline "Girl Reporter Tells It All on Last Day," affectionately recalled some of her colleagues' "conversational identifications."

In 1951, with a colleague, Dickson Hartwell, Carol Weld wrote an admiring article about Taborian Hospital in Mound Bayou, Mississippi.

When the hospital opened in 1942, African-American patients in the Delta could, for the first time, walk through the front door of a medical facility rather than through the side entrance marked "colored.

"[13] Until 1967 the Taborian Hospital and its fraternal rival in Mound Bayou, the Friendship Clinic, which had been founded in 1948, provided medical services to thousands of Mississippi African-Americans.

[15] Weld retired to Florida (1512 Glencoe Road, Winter Park) and worked as a freelance writer.