that included Lizzie Borden, Paula Cooper, Neil Jenney, and Joel Shapiro, and made her first video, Post-Show Depression, in 1975, documenting young artists Judy Rifka, Bill Jensen, Barbara Schwartz, and Porfirio DiDonna taking their first one-person shows down.
[21][16] "Sugar 'n Spice" (1993, co-curated by Noriko Gamblin) featured eleven Los Angeles women artists (including Jacci Den Hartog, Hilja Keading, Jennifer Steinkamp, Diana Thater, and Pae White) and was called "subversive in a sneakily anarchic way" by critic Cathy Curtis.
While at SMMA, she organized performance events and exhibitions for Liza Lou, Andrea Bowers, Robert Mapplethorpe,[25] Pierre Huyghe, and Yoshitomo Nara,[26] among others and co-curated the influential show, "Mise en Scene: New LA Sculpture," with Bruce Hainley.
[32][33][3] To celebrate the 40th anniversary of Semiotext(e) in 2014, Klonaridis organized the re-presentation of the 1978 Cine Virus film program, originally curated by Kathryn Bigelow and Michael Oblowitz, which was accompanied by multi-day conferences at both MoMA PS1 and CalArts's REDCAT Theater.
"[38][40] In later work, they created profiles of Vito Acconci, Joel Otterson, Mierle Laderman Ukeles, and others for the 1989 World Financial Center exhibition "The New Urban Landscape,"[41] and of Chuck Close (1991) and John Baldessari (1994) for MoMA.
[1] In 1984, Klonarides, Lyn Blumenthal, and painter Ed Paschke produced the video Arcade, which was shown in documenta 8 and in the traveling exhibition, "Making Their Mark: Women Artists Move into the Mainstream, 1970-1985" (1989, Cincinnati Art Museum).
She has authored catalogue essays on artists, including Anna Bialobroda,[53] Henry Coombes,[45] Julia Couzens,[54] Meg Cranston,[55] Theodora Varnay Jones,[56] Hilja Keading,[57] Nancy Macko,[58] Richard Prince,[33] Alex Slade,[32] Coleen Sterritt,[59] George Stone,[60] Andy Wing,[61] Bruce Yonemoto,[62][63] and Etienne Zack.