Itter lived with her partner, Al Neil, in a structure known as The Blue Cabin, originally built in 1932 and located near Cates Park in North Vancouver.
[8][9] Itter's sculptures, assemblages, collages, installations, performances and writings are strongly influenced by the people and places where she has lived, and frequently reflect social and political issues.
This piece acted to shift art from the gallery setting into the physical world by removing a cedar log from Roberts Creek, British Columbia, disassembling it, and then transporting it to Lockeport, Nova Scotia where it was reassembled.
[14] Her 1979 photo series Euclid, documents her partner, Al Neil, tracing geometric figures in the sand of Cates Park in North Vancouver.
[15] In 1994, Itter collaborated with Luke Blackstone and Al Neil on her installation of found objects emerging from an antique organ that were painted and gilded for her exhibit Where the Streets are Paved with Gold: A Tribute to a Canadian Immigrant Neighbourhood.