[3] Her mother was well read and her father, Dr Thomas Orger was a translator of Ovid and Anacreon, and he had written a book about Napoleon.
He didn't object to her mother's acting and he become a founder member of the Swedenborg Society and the editor of Intellectual Repository.
Her only apparently surviving compositions[3] are some songs, a tarantella in E minor and a sonata in A (the latter two works for piano).
Also surviving is a pair of articles in the 1862 Musical Times entitled A Few Words on Piano Playing.
[5] Composed but possibly lost also were at least one piano quartet and a cello sonata in addition to the concerto and trio.