Caroline Sturgis Tappan

[1][2][3] She is particularly known for her friendships and frequent correspondences with prominent American Transcendentalists, such as Margaret Fuller and Ralph Waldo Emerson.

Margaret Fuller formally introduced Sturgis to Ralph Waldo Emerson in the winter of 1837, during his course of lectures on Human Culture at Boston's Masonic Temple.

[20][21] Mary, with her niece Rosamund Dixey Brooks Hepburn (1887-1948), later donated the family summer home, Tanglewood, in the Berkshires to the Boston Symphony Orchestra.

Both women loved one another in a romantic friendship similar to what Carroll Smith-Rosenberg describes in “The Female World of Love and Ritual.”[24][25] Sturgis joined Fuller for her extended stay at Fishkill Landing, New York from October through November 1844, during which time Fuller turned her 1843 Dial essay “The Great Lawsuit.

[4] Bowing to the dictates of her class and its restrictions on gender, Sturgis did not reveal her authorship of these two books, attributing them instead to her friend Lydia Maria Child.

[26] Recent research has shown that Sturgis had a greater influence on Transcendentalist thought than previously acknowledged, particularly on Ralph Waldo Emerson, whose journals and poems provide evidence of his deep respect for her.

Portrait of Tappan, c. 1848