E. H. Johnson, state legislator and Miles City's first mayor, built this impressive modified Queen Anne style home in 1887.

Attributed to Miles City architect Byron Vreeland, the irregular plan originally featured an elaborate arched porch and an elliptical bay capped by a conical roof.

Her quaint wood-frame home retains its Greek Revival style footprint, once common in Miles City, but rarely preserved.

[3] An eclectic blend of Romanesque, Gothic, and Queen Anne architectural styles, this 1886 church survives as designer Byron Vreeland's most significant building in Montana.

The church features a barrel-vaulted wood ceiling trimmed with California redwood, a large Gothic style stained glass rose window in the entry gable above the canopy, and decorative brick work in a mouse-toothed pattern along the end elevations.

The interior features a walnut altar created from the salvaged hardwood finish of a steamboat that wrecked on the Buffalo Rapids below town about 1880.

In 1895, Furstnow commissioned Byron Vreeland to build this Queen Anne style home, unusual because the architect usually designed in brick.

The residence retains the original tall ceilings and detailing, including a fan-trimmed arch and four brass and stained-glass chandeliers, one being in the form of a British Crown.

[3] The end of the 1880s witnessed development of Miles City's north side, with expensive homes being built on generous tracts of land.

The Craftsman style garage, constructed a little later to replace a barn, further chronicles neighborhood changes as transportation shifted from horse to automobile.

The growing congregation raised $14,000 and neighbor C. J. Wagenbreth donated the needed capital to complete the project, providing that no bell be hung in the belfry.

Designed by the architectural firm of Woodruff & McGulpin in 1912, the Methodist Church stands as a visual reminder of the growth of Miles City and is an important neighborhood anchor.

The building exhibits eclectic architectural influences, including Romanesque Revival windows, crenellated Gothic battlements, and early Christian or Tudor massing.

[3] The elegance of this magnificent Neoclassical style mansion belies the humble roots of its first owner, George H. Ulmer, the Pennsylvania-born son of a German immigrant.

Haire, whose talents contributed much to the local streetscape, was at that time frequently in Miles City supervising the design and construction of the Carnegie Library and the Ursuline Convent.

A grand semicircular entry porch, Ionic columns, Palladian windows, and a central pediment with an inset lunette are elements characteristic of the style.

Very fine detailing includes molded pilasters, a carved wreath above the main entry, paneled oak doors, and beveled glass.