[3][1][5] The process led to the artist's disengagement from her longtime record label, Universal, and the agency Sons Em Trânsito, where Vasco Sacramento had been her manager for about twelve years.

[3][6][7] From the initial recordings, the only song to make it to the final version of the album was "Nossa Senhora das Dores", whose lyrics served as an emotional anchor for Moura during this phase.

[3][1] Written by José Luís Gordo, the song was originally popularized by Maria da Fé, who is Ana Moura's godmother in fado.

[3][1] At that time, Ana Moura started attending some nightscene events in Lisbon organized by Príncipe Discos and Enchufada, both influential record labels of African influence.

[8][9] In addition to electronic elements, the album incorporates a range of other genres, especially rhythms of African origin like semba, kizomba, and funaná, but also other traditional Portuguese inspirations, such as fandango.

[1] Although it didn't make it onto the new album, the song served as an introduction to the close collaboration Moura developed with Osíris and Mafama, who had the original idea for the video.

[17][18] On March 17, 2023, she released an official music video for "Nossa Senhora das Dores" to celebrate the beginning of her Casa Guilhermina Tour the day after.

[19] On August 8, 2023, she released "Mázia" as the final single off of the album, a song honoring her late cousin Cláudia, alongside a music video shot in Angola.

[29][30][31] It also made it to the year-end lists for the specialized site Rimas e Batidas and for the Observador, chosen by journalist Luís Freitas Branco.