Joaquin Mir Trinxet (Barcelona, 1873–1940) contributed several murals to the house, after his trip to Majorca with Santiago Rusiñol, where he met the mystic Belgian painter William Degouve de Nuncques in 1899, and before his move to Reus.
In the house, Mir Trinxet use a technique that gives the painting a mysticism, an almost magical luminosity, as flowers glow as orange and yellow lamps on a bed of lush green.
Here we have all the warmth and freshness of a garden, intensity provided in colored blooms, and dew that clings to leaves and grass seeped into a crisp pale green.
In the Spanish histories of art, not only did a thriving school indeed exist in the main centers of Barcelona and Madrid, but its character was wide-ranging, bountiful, and in some cases astonishingly original.
Painters like Bereute, Santiago Rusiñol, Casas, Anglada, Pinazo, Juaquin Mir Trinxet, Regoyos, and many others, contributed to the character of Spanish painting at the dawn of the 20th century.
The Modernisme movement was centered on the city of Barcelona, and is best known for its architectural expression, especially the work of Antoni Gaudí, but was also significant in sculpture, poetry, theatre and painting.
[6] The earliest example of Modernista architecture is the café "Castell dels tres Dragons" designed by Lluís Domènech i Montaner in the "Parc de la Ciutadella" for the 1888 Universal Exhibition.
[13] The Casa Trinxet was demolished in 1968 despite attempts by artists and intellectuals to save it for conversion into a museum of Modernism, in the period of Porcioles council, for the builders Nuñez i Navarro.