"Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" is a mock-heroic poem written in 1888 by Ernest Thayer.
On the last pitch, the overconfident Casey strikes out swinging, ending the game and sending the crowd home unhappy.
Thayer was only trying to write a comic ballad, with clanking rhymes and a vigorous beat, that could be read quickly, understood at once, and laughed at by any newspaper reader who knew baseball.
Somehow, in harmony with the curious laws of humor and popular taste, he managed to produce the nation's best-known piece of comic verse—a ballad that began a native legend as colorful and permanent as that of Johnny Appleseed or Paul Bunyan.
They saw his face grow stern and cold, they saw his muscles strain, and they knew that Casey wouldn't let that ball go by again.
The sneer is gone from Casey's lip, his teeth are clenched in hate; he pounds with cruel violence his bat upon the plate.
Oh, somewhere in this favored land the sun is shining bright; the band is playing somewhere, and somewhere hearts are light, and somewhere men are laughing, and somewhere children shout; but there is no joy in Mudville—mighty Casey has struck out.
[6][7][8] Another candidate is National League player Mike "King" Kelly, who became famous when Boston paid Chicago a record $10,000 for him.
There are one or more Caseys in every league, bush or big, and there is no day in the playing season that this same supreme tragedy, as stark as Aristophanes for the moment, does not befall on some field.
Upon Kelly's death, a writer would say he gained "considerable notoriety by his ludicrous rendition of 'Casey at the Bat,' with which he concluded his 'turn' [act] at each performance.
Jillette enhanced the drama of the performance by drastically accelerating the pace of his recital after the first few stanzas, greatly reducing the time that Teller had left to work free from his bonds.
The first recorded version of "Casey at the Bat" was made by Russell Hunting, speaking in a broad Irish accent, in 1893; an 1898 cylinder recording of the text made for the Columbia Graphophone label by Hunting can be accessed from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
In 1980, baseball pitcher Tug McGraw recorded Casey at The Bat—an American Folk Tale for Narrator and Orchestra by Frank Proto with Peter Nero and the Philly Pops.
In 1996, actor James Earl Jones recorded the poem with arranger/composer Steven Reineke and the Cincinnati Pops Orchestra.
[15] In 1998, actor Sir Derek Jacobi recorded the poem with composer/arranger Randol Alan Bass and the National Symphony of London, with the composer conducting.
This work, titled "Casey at the Bat", has been recorded by the Boston Pops Orchestra, Keith Lockhart conducting.
[16] In 2013, Dave Jageler and Charlie Slowes, both radio announcers for the Washington Nationals, each made recordings of the poem for the Library of Congress to mark the 125th anniversary of its first publication.
Thayer grew up in nearby Worcester, Massachusetts, where he wrote the poem in 1888; his family owned a wool mill less than 1 mi (1.6 km) from Mudville's baseball field.
[citation needed] Despite the towns' rival claims, Thayer himself told the Syracuse Post-Standard that "the poem has no basis in fact.
It was influenced not just by the name of the poem, which was widely popular in the 1910s, but also because he tended to strike out frequently in his early career so fans and writers started calling him "strikeout Casey".