104, Dvořák's A major Concerto is traditionally overlooked, so much so that the later work is only rarely called "No.
Written for cellist Ludevít Peer, it was rediscovered by composer Günter Raphael years after Dvořák's death in 1925.
[2] The 1970s brought a second editor, the Dvořák expert and curator Jarmil Burghauser, who, along with cellist Miloš Sádlo, prepared a more lightly rethought account published two ways: in an orchestration by Burghauser; and in the original piano-score form with cuts corresponding to the new orchestrated version.
In 2010, the Czech cellist Tomas Jamnik recorded a new edition of the A major concerto with the Prague Radio Symphony Orchestra on the Supraphon label.
The performers here shorten the concerto to 35 minutes, sometimes following Burghauser, but sometimes, following extensive research by themselves, finding their own solutions to some of the problems caused by only having the piano score, rather than a full orchestral version.