Celtic music

Further, some older forms of Celtic music that are rare in Scotland and Ireland today, such as the practice of accompanying a fiddle with a piano, or the Gaelic spinning songs of Cape Breton remain common in the Maritimes.

Much of the music of this region is Celtic in nature, but originates in the local area and celebrates the sea, seafaring, fishing and other primary industries.

Ireland, Scotland, Wales, Cornwall, and Brittany have living traditions of language and music, and there has been a recent major revival of interest in Celtic heritage in the Isle of Man.

A Brythonic language may have been spoken in parts of Galicia and Asturias into early Medieval times brought by Britons fleeing the Anglo-Saxon settlement of Britain via Brittany.,[17][18] but here again there are several hypotheses and very little traces of it : lack of archeological, linguistic evidence and documents.

[32] In addition to its lasting effects on other genres, it marked the first modern large-scale mixing of musical traditions from multiple ethnic and religious communities within the Celtic diaspora.

Traces of Clannad's legacy can be heard in the music of many artists, including Altan, Anúna, Capercaillie, the Corrs, Dexys Midnight Runners, Enya, Loreena McKennitt, Riverdance, Donna Taggart, and U2.

Bands like Flogging Molly, Black 47, Dropkick Murphys, the Young Dubliners, the Tossers introduced a hybrid of Celtic rock, punk, reggae, hardcore and other elements in the 1990s that has become popular with Irish-American youth.

Today there are Celtic-influenced subgenres of virtually every type of popular music including electronica, rock, metal, punk, hip hop, reggae, new-age, Latin, Andean and pop.

One of his major works was to bring "Hen Wlad Fy Nhadau" (the Welsh national anthem) back in Brittany and create lyrics in Breton.

This suite depicts the journey of St. Colum Cille through the Celtic nations of Ireland, Scotland, the Isle of Man, Wales, Cornwall, Brittany and Galicia.

Many of the Celtic languages have experienced resurgences in modern years, spurred on partly by the action of artists and musicians who have embraced them as hallmarks of identity and distinctness.

Rapalje performing in 2010
An 18th century depiction of an ancient Druid playing the Welsh harp
Alan Stivell at Nuremberg, Germany, 2007
Massed pipers at the Lorient festival