[2] Almaraz and Bejarano were painters, and Duardo had worked as a printmaker at Self Help Graphics; all three had a connect to the neighborhood.
[4] The organization focused on the creation of artwork centered on the theme of Los Angeles street scenes and work by Chicano/Chicana youth.
[3] They fused Chicano consciousness, communist teachings, and a silkscreen printing business.
[5] In the 1970s, Dolores Guerrero-Cruz, Barbara Carrasco, and Judithe Hernández actively had been part of Centro de Arte Público.
[5] After the organization moved in 1978/1979, the space was transformed into Aztlán Multiples, a printshop; and The Vex, a Chicano punk club.